I received this book for free from NetGalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

Published by Penguin Random House, Ballantine Books on June 17, 2025
Genres: Fiction / Women
Pages: 288
Format: ARC
Source: NetGalley
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In this soulful debut novel set in the hypnotic music scene of New York City, a young Black woman lands her dream job at a major label—only to discover just how treacherous a place made to birth stars can be.
Growing up in the Bronx, Billie Grand sought solace in music, finding herself in the pulsing beats, striking lyrics, and mesmerizing voices that saved her when money issues and familial strife proved deafening. When she finally lands a coveted A&R assistant role at Lit Music Productions, one of the largest music labels in the country, it initially seems like everything she’s dreamed of—sleek offices, exclusive parties, flashy dealmaking—and she can’t wait until it’s her turn to find the next breakout headliner.
But as she continues to work at Lit, she discovers a dark side to all the glamor. The hours are long, the demands are insane, the microaggressions from her mostly white colleagues increasingly rattle her, and Billie can’t shake the sense Lit’s higher ups are hiding something about their dealings. Then Billie stumbles upon a raspy-voiced, melodic singer and rapper who has the kind of fire to ignite stardom, who represents everything Billie got into this business for—supporting real music, none of that pretending to be the culture. On the precipice of signing her first artist, a shake-up threatens everything and endangers Billie’s already precarious place in the pecking order. The job has put her at odds with her boyfriend who questions her morality and her mother who relies on Billie to help with her bills, but Billie has her sights set on the stars. As a reckoning brews at the office and the costs of her dreams get ever higher, she will have to decide—is finding success worth losing herself?
A riveting, poignant, and endlessly entertaining take on privilege and power, When the Music Hits is a moving anthem for making space where there was none before and introduces Amber Oliver as a blazing new talent to watch.
Review
Amber Oliver’s When the Music Hits feels like a backstage pass to the New York music scene — the good, the bad, and the ugly. It’s the kind of story that makes you lean in close, like someone’s spilling industry secrets over drinks after hours.
The plot’s simple enough: Black woman lands dream job at big record label, discovers dream might actually be a nightmare. But Oliver, who grew up between the Bronx and Harlem, turns this familiar setup into something electric. She writes like someone who’s seen behind the curtain and lived to tell about it.
What makes this book sing is how real it feels. The dialogue crackles with authenticity — you can practically hear the studio sessions and boardroom battles. Oliver nails the little details: the passive-aggressive emails, the subtle power plays, the way success in the music industry often means leaving pieces of yourself at the door.
This isn’t just another “making it in the big city” story. It’s about what happens when you finally get that seat at the table, only to realize you’re expected to play by rules you never agreed to. Oliver asks the hard questions: Can you change a system from the inside? What’s the real cost of success? And at what point does compromise become surrender?
At 288 pages, the book moves like a well-produced track — no filler, all killer. Sure, some subplots could use more airtime, but the main story hits hard and stays with you.
For a debut novel, this one’s got serious replay value. Oliver might play it safe occasionally, but her voice is fresh and her perspective is exactly what contemporary fiction needs. If you’ve ever wondered what really goes on behind those platinum records and glossy music videos, this book’s got your answer — and it might make you think twice about what “making it” really means.